Multimedia

Thursday, July 05, 2007

Michael Moore Parody Shows Power of Video

Regular readers know that I strongly believe that one should use the right medium for the message you are communicating.  That is after all one of the huge underlying themes of The New Media Cocktail.

My friend Doug Simon demonstrates this aptly on his video blog with a very entertaining parody of Michael Moore.  Now, Doug and I don't agree on politics, but the video clearly communicates his message: that he's a big fan of Michael Moore, but feels that Moore's actions helped elect George Bush in 2000.

It's worth watching regardless of your politics.  At a minimum you should be entertained, and hopefully you will agree that the medium was perfect for this message.

Friday, June 22, 2007

Entering the Video Arena: A Demo of CustomScoop

Regular readers know that I have an increasing fascination with the future of media in general and online video in particular.  So I have decided to dip my toe in the water and begin some video blogging, where appropriate.  Of course, I turned to one of my own companies, CustomScoop, to be the guinea pig in this effort.  Surprisingly, my first attempt out of the gate wasn't bad, so I'm sharing it here.  I'd still like to improve on things a bit, but for a first effort at shooting an interview/demo video, I'm pretty pleased.

 
I also need to work on the video editing side a bit to do better titles, captions, etc. but, hey, I'm still a newbie!

Wednesday, June 06, 2007

Video for Foodies

Two items showed up in my reader that may interest not only foodies, but those interested (as I am more and more) in the online video space.  They're almost diametrically opposed, though, which makes it more fun to watch and see how it plays out.  One is offered by a major brand focused on brand-name chefs.  The other is from an unknown company focusing on food, not personalities.

image First, the more food-focused offering.  A Canadian startup called Rouxbe is producing approximately 4 instructional videos each week, according to Josh Catone over at Read/Write Web. 

The videos are presented as multi-part, indexed flash movies in an attractive video player (see this free video for pan-seared cod as an example). Videos are shot mostly from an overhead angle and narrated, step-by-step. Using the player, users can jump to any specific step in the video, pause, rewind, skip, or replay.

Cristina Ledesma of 901am writes about the other offering, this one from Food & Wine magazine.  imageIt sounds interesting as well, though it packs star power behind both its magazine title and the video talent.

Foodandwine.com is currently airing video segments of [Bobby] Flay, [Emeril] Lagasse, Mario Batali, Jacques Pépin and other star chefs preparing their signature dishes at the 2006 Food & Wine Magazine Classic in Aspen. This month, the epicurean website began adding more original content, starting with a series of videos with Chef Joey Campanaro from New York’s The Little Owl demonstrating a full romantic menu, and Chef Shea Gallante of Cru demonstrating a summer menu. In addition, coverage of the 2007 Food & Wine Classic and interviews with other prominent chefs will also be available as foodandwine.com expands its Web 2.0 offering, which includes podcasts, blogs and a Wiki-enabled portion of the site.

Two very different approaches to a similar vertical video space.  One aimed more at the home cook, the other at the foodie who may or may not wield pots and pans himself. It will be interesting to see how it pans out (I really didn't originally intend the pun there, but I had to leave it once I noticed it).

Friday, June 01, 2007

MLB Whiffs as It Strikes Out at Slingbox

image Anyone who knows me understands that I'm a Slingbox addict.  I got the device shortly after they were first released.  I adopted their mobile phone viewer within hours of its availability.  I talk about it constantly.  I evangelize it in bars and restaurants where I can be found watching TV on my cell phone, the phone gracefully propped up on a used wine cork (when available) to establish a better viewing angle.  I incorporate the Slingbox into presentations I do to demonstrate the power of technology to make peoples' lives better (or at least more enjoyable).

Why am I so passionate about the Slingbox?  Because of the Boston Red Sox.  I'm more addicted to the Red Sox than the Slingbox and that little silver box helps me feed that addiction.  I travel for business almost every week of the year.  I had in the neighborhood of 100 flights last year and spend something like 150 days a year or more a year sleeping somewhere other than my own bed (and since that reads awkwardly, if my wife is reading, I want to be clear that I mean ALONE when I'm not with her). 

The restaurants I frequent typically do not have the Red Sox game on.  Usually, they can't even get it easily if they wanted to.  So the Slingbox is my connection to Red Sox nation.  It allows me to watch what I would be watching if I were at home.  I already pay the local cable company for a slew of cable boxes, so it isn't as if I'm trying to skate by for free.  I just want to be able to watch Don and Jerry call the game.

That's why I'm so disappointed that Major League Baseball has decided to lash out at Sling Media, the producer of the Slingbox. (Full Disclosure: one of my brothers recently joined the Sling Media team, but readers of this blog know that my passion for the product predates that.)  Here's Major League Baseball's argument, according to CNET:

MLB.com seems to take issue with allowing Slingbox owners' TV channels to be transmitted over the Internet. "Moving content from one form of transmission to another certainly invites that kind of analysis," said Bob Bowman, CEO of MLB.com, referring to Mellis' statement. For instance, if a TV signal was converted into a radio signal, it might raise the eyebrows of those broadcasters involved. The Slingbox, he added, "is not a place-shifting device, (it) is a delivery-shifting device."

The argument is absurd.  The Supreme Court has established that consumers can record TV shows.  Once recorded, these shows could then be carried on a video tape or hard drive to an alternate location to view it.  That's effectively what the Slingbox does, just in real-time.  Indeed, the Slingbox goes to great lengths to as nearly as possible replicate the experience of watching the original broadcast, right down to a graphical representation of a remote control to change channels.

In many respects, MLB is ahead of the curve in their understanding and appreciation of new media.  They and their teams have some of the best professional sports web sites and they're offering great new media services like MLB-TV that enables consumers to watch all out of town games online for a low monthly subscription fee.  It appears this is what they're trying to protect, but the Slingbox simply isn't competition for that service.  It primarily helps travelers like me to watch games they would otherwise get to see.  It isn't a way for a Red Sox fan in New York or California to watch games -- they would still need to turn to MLB or one of the out of town sports packages sold by cable and satellite companies to get those games.

Please, MLB, let's drop the silliness of going after the Slingbox and stay focused on continued new media innovation and promotion of the sport -- two things you do well.  Fighting this pointless battle simply depletes resources that MLB and Sling Media could use for better purposes.

Saturday, April 21, 2007

Live Blogging Kicked Up a Notch with Video

Speaking of Shel Holtz, he has a great post about the next step in the live blogging revolution: live video.  This has been a topic of conversation in tech blogs this week because of the Web 2.0 expo.  I'll let Shel explain:

Over at PodTech Robert Scoble and Jeremiah Owyang took UStream for a spin at the recent Web 2.0 conference, using the live streaming capability to broadcast panel discussions and other activities. (Jeremiah wrote about it here.)

I can't recall where I saw it but there's a great if ridiculous photo of Scoble sitting next to Chris Pirillo while Chris is typing and Scoble is wearing a head-cam.  And did I mention they were on a panel at that time?  Only at a tech conference...

Though I managed to be enmeshed in the recent live blogging controversy, I suspect that I'll be able to remain on the sidelines of this discussion as I'm not sure I'm likely to become a videographer.  (Shel #1, Shel Israel, has an interesting post on the subject, especially since he was at ground zero of the debate.) 

I guess I'll just have to stick to annoying panelists and fellow attendees with keyboard clatter.

UPDATE: Jeremiah reminds me in the comments that I saw the photo on his blog.  It was from David Parmet.

Thursday, March 22, 2007

The Changing Face of the Music Industry

An interesting confluence of news and events today brings us information on declining CD sales at the same time that many in the blogosphere/podosphere are advocating an effort to "Bum Rush the Charts."

First the news. The Wall Street Journal reports that "compact-disc sales for the first three months of this year plunged 20% from a year earlier."  The newspaper describes this as "the latest sign of the seismic shift in the way consumers acquire music."

The evidence from the WSJ is stark:

One week, "American Idol" runner-up Chris Daughtry's rock band sold just 65,000 copies of its chart-topping album; another week, the "Dreamgirls" movie soundtrack sold a mere 60,000. As recently as 2005, there were many weeks when such tallies wouldn't have been enough to crack the top 30 sellers. In prior years, it wasn't uncommon for a No. 1 record to sell 500,000 or 600,000 copies a week.

Podcasting News takes this one on an says "While the music industry blames it on pirated music, there are more important reasons that CD sales are down."  Among the other explanations: the technology is 25 years old, people can buy just the songs they like rather than a full album, and the fact that other media are playing a larger role in individuals' lives.

But this all takes on an even more interesting flavor when you see the online effort today to drive an independent music song to the top of the iTunes charts.  Here's a more complete description of the campaign:

We can match and exceed the reach of big media, corporate media, labels, and the entrenched interests. On March 22nd, we are going to take an indie podsafe music artist to number one on the iTunes singles charts as a demonstration of our reach to Main Street and our purchasing power to Wall Street.

Now I don't go in for the whole anti-establishment angle, but I did do my part and bought the song today just to be part of the experiment.  It will be fascinating to see how successful it is.

Certainly a tectonic shift occurring in the music industry right now and definitely something to keep watching.

Wednesday, March 14, 2007

The Differences Between Blogs, Podcasts, and Video

Mitch Joel has been talking recently on his podcast, Six Pixels of Separation, about the difference between audio and video podcasts.  Then I heard John Furrier of PodTech talking about it on a podcast with Heather Green of BusinessWeek.  And it all got me thinking.

Relative Value.  I think John made an interesting point when he said that he felt that there was a difference in the viral nature of various forms of social media vs. their engagement level.  He said that video and blogs are more viral than podcasts, but that podcasts result in higher engagement than blogs and video has higher engagement than either.  On the other hand, blogs are best at SEO value. 

I would also argue that web video has the potential to be more mainstream than podcasts and potentially even blogs.   Consumers I think will be more willing to embrace this medium than the other two because it has a greater potential to be fun and engaging.  Podcasts are likely to remain more of a niche tool -- though a valuable one because of their power to connect with an influential audience.  And blogs will continue to gain traction, though they lack some of the entertainment potential of video.

Format Differences.  Mitch and others have pointed out that it is much harder to watch video than listen to a podcast.  The number of opportunities to watch are smaller than the number to listen.  In addition, video and blogs require greater attention from the audience, in most cases, whereas podcasts are more passive and support other simultaneous activity by the listener.

This suggests that podcasts can be longer than video and blogs must be kept relatively brief.  To overcome those time/length limitations, they would need to be truly exceptional -- even indispensable -- content.

Interestingly, I find that for web video, I am more likely to engage in ones that have nearly as much value from listening as from viewing.  Interviews, panel discussions, event speakers, and the like are more likely to get me to call up a web video.  I need not watch 100% of the time to still extract value.  On the other hand, if I am going to watch a web video in its entirety, my limit is somewhere around 5 minutes or so.

Monetization Potential.  John thought that podcasts would be the most difficult to monetize, with video being easier because advertisers like to be able to show their products.  It is an argument that makes sense, though monetizing video still hasn't proven to be a wildly successful endeavor.  I do believe it is coming, however.  Blogs have certainly demonstrated some ability to be monetized and that trend will likely continue.

Conclusion.  Different forms of media serve different purposes.  Content creators should make sure that they deploy the correct medium for the goal they wish to achieve.

Wednesday, February 28, 2007

Mark Cuban's Answer to Google/YouTube for Content Providers

Mark Cuban is nothing if not innovative and controversial.  Today, he addresses the issue of lots of Oscars footage being placed online by consumers.  His answer?

To capture Youtube viewers, the first step would be to OVERWHELM Youtube with partial clips of full length that tease Youtube users and point them to Oscars.com. For this Will Ferrell clip, I would have created a video that showed the first 10 secs of the clip, then had 4 minutes of a billboard that said " Great videos from the Oscars telecast and exclusive behind the scenes videos are all available at Oscars.com"

IN addition to the billboard in the video you would have an active link to Oscars.com on the Youtube video page. I wouldn't post this video 1 time. I would post this video 100 times.

He acknowledges this will cause a stir among some but argues that ultimately the audience will adapt.  His answer certainly seems to have some appeal -- as he describes it, paying kids $20 an hour to load this video into YouTube or Google certainly beats paying the lawyers $1000 an hour to send takedown notices.

I don't know whether it would work, but it would be fun to watch someone try!

Thursday, February 22, 2007

Another Good Use of Video

I've been pretty focused on the multimedia potential of social media lately, and so you'll have to forgive me for my second post today touting the value of online video in communicating a message.

In this case, I'm talking about Walt Mossberg's practice of recording a video with content similar to his weekly column in the Wall Street Journal.  This week he reviewed the Nokia N800 Internet Tablet.  In writing, you got a decent sense about the product and its strengths and weaknesses.

But as he told virtually the same story in video and could hold up the device and point to it as he was making his case, it was an entirely different experience. 

I continue to believe that most people won't watch a lot of video online, but it still has potential when used in meaningful applications.

(If you are reading this feed and don't see the video, click through to read the post on the Pardon the Disruption web site and view it there.)

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What Is Pardon the Disruption?

  • As founder & CEO of CustomScoop, I have a special interest in the intersection of technology and PR/marketing. In addition, as a serial entrepreneur and angel investor, I cover those topics, as well as an occasional post on the gadgets I love.